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【美術產學中心】「2019臺東工藝材質復育暨年度策展計畫」

展覽

/策展論述 /ORIGIN OF PLAN/

        本次「凝結的浪」展覽所要呈現的主軸是工藝材質與作品、作者及土地的連結。在這個現代化的社會,傳統的工藝材質是非常容易被忽略及取代的,它的存在相當渺小,卻又重要。它蘊藏的力量能夠使一件作品完整的被呈現出來,完整的將故事表達出來,它結合了作品以及土地的故事,也鏈結集體的智慧與力量。這樣的表現形式,彰顯出藝術家嘗試將自己從作品中抽離,不過度強調個人,反而是讓工藝媒材為作品發聲,也間接傳達出工藝媒材漸漸復育成功的象徵意義。
        將此工藝創作定義為擁有自我意志的主體與品牌意識,而非單純供人觀賞的物件;媒材的創作同時也是對所處時空的重新詮釋,藉由在空間裡拆解媒材元素與創造纖維線條,具體呈現空間中的自然美學,也呼應所處當下的感知與想像,應用在地工藝材料創新啟動設計能量。
        「凝結的浪」藉由「感知的藝術創作」及「理性的設計規則」探尋個人創作,在混沌中,彼此碰撞、拉扯,激發創作靈感與才能,找到生命的出口。而設計與作品,則是透過探索與思考,在感知與理智交融之下的情感表達及呈現。整體展覽呈現從光影、氣流及時間中,感受在空間的虛實邊界與主客辯證。

        The main axis of this exhibition, “Waves of Convergence”, is the connection between the craft materials and the works, as well as the creators and the land. In this modern society, traditional craft materials are very easy to be ignored and replaced. Their existence is rather small, but important. A traditional craft material contains the power to fully present a work and tell the whole story behind it. It combines the story of the work and the land and also links the wisdom and strength of the collective. This pattern of manifestation reveals the artists’ attempts to pull themselves away from the work. Instead of emphasizing the individuals excessively, the artists let the craft media voice out the work, which indirectly conveys symbolic significance of the gradual renaissance of the craft media.
        This craft creation is defined as the subject and brand consciousness with self-will rather than an object purely for viewing. The creation of media is also a reinterpretation of the time and space where it is located. It concretely presents the natural aesthetics in the space by disassembling the media elements and creating fiber lines in the space and also echoes the current perception and thinking by applying the local process materials creatively to activate the design energy.
        “Waves of Convergence” explores individual creation by means of “perceptual artistic creation” and “rational design rules” that collide with and pull each other in chaos, thereby stimulating creative inspiration and talent and finding the way out for the life. Designs and works are expressions and presentations of emotions through exploration and reflection, under the blend of perception and reason. Presented from light and shadow, as well as airflow and time, the whole exhibition makes the audience feel the virtual and real boundary of space and dialectics between the subject and the object.
 

/展覽活動 /Exhibitions /

(1) 工藝材質復育工作坊
(2) 【凝結的浪】臺東工藝材質復育展
(3) 大型裝置藝術
(4) 苧麻及瓊麻復育種植

(1)Craft material rehabilitation workshop
(2)“Waves of Convergence”Taitung Craft Material Rehabilitation Exhibition
(3)Large installation art
(4) Ramie and eucalyptus replanting

/工藝材質復育工作坊 /Craft Material Rehabilitation Workshop /

工坊


/【凝結的浪】臺東工藝材質復育展展覽介紹 /“Waves of Convergence”Exhibition introduction

展出藝術家:劉鑑青、黃冠菱、林戎依、廖琳俐、黃冠菱、恆麻・繁、郭大維、孫青田、曾詩云、黃子定、劉奕伶、許文瀚、陳宥丞、周夢嬋 。

展出設計師: 吳姿瑩(工坊、新秀獎)、Kamaro'an住下ㄎ來吧、郭大維、王美又、林詣祖(工坊)、呂宗翰(工坊)、邱春女。

裝置藝術設置藝術家:鄭元東 。

展出地點:臺東美術館-大文創教室
展出日期:108/08/20-108/09/08
開放時間:09:00-17:00
開幕時間:108/08/20,14:00

Exhibition place: Taitung Art Museum - Dawenchuang Classroom
Exhibition date: 108/08/20-108/09/08
Opening hours: 09:00-17:00
Opening time: 108/08/20, 14:00

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