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本次「凝結的浪」展覽所要呈現的主軸是工藝材質與作品、作者及土地的連結。在這個現代化的社會，傳統的工藝材質是非常容易被忽略及取代的，它的存在相當渺小，卻又重要。它蘊藏的力量能夠使一件作品完整的被呈現出來，完整的將故事表達出來，它結合了作品以及土地的故事，也鏈結集體的智慧與力量。這樣的表現形式，彰顯出藝術家嘗試將自己從作品中抽離，不過度強調個人，反而是讓工藝媒材為作品發聲，也間接傳達出工藝媒材漸漸復育成功的象徵意義。
The main axis of this exhibition, “Waves of Convergence”, is the connection between the craft materials and the works, as well as the creators and the land. In this modern society, traditional craft materials are very easy to be ignored and replaced. Their existence is rather small, but important. A traditional craft material contains the power to fully present a work and tell the whole story behind it. It combines the story of the work and the land and also links the wisdom and strength of the collective. This pattern of manifestation reveals the artists’ attempts to pull themselves away from the work. Instead of emphasizing the individuals excessively, the artists let the craft media voice out the work, which indirectly conveys symbolic significance of the gradual renaissance of the craft media.
視覺以動態的絲絲波紋與藍色底色呼應主題「浪」，忽大忽小的變化成像出不同樣貌浪型並將主題融入其中；是創作想法的交織，也是復育植物的解構纖維，當靈感與材質產生了衝擊與刺激，銀色的細線則代表了創作的成果，體現「凝結」的意象。
The motion of ripples and the background colour correspond to the theme" wave". The difference in size of ripples portrays diverse forms of wave, as well as the interweaving of creative concepts. The imaging also renders fibre deconstruction of the restoring plants and visualises the clash of ideas and materials. Silver lines depict the result of creation, produce the "convergence" imagery.
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