萬物瞬息萬變不斷流轉，在歷史洪流中什麼是永恆？任何事物並不會全然消失，會轉化為另一個型態循環，唯一不變的是變，日月星辰、自然像我們開展它內在變幻莫測的遼闊。
藝術家的主體過去一直在處理建構造型的敘事性和材料質變間相融並進的關係，造型靈感源自理型大自然中有機植物、生物型態的參照與想像，夏末初秋進駐到台東海濱旁的TTICC兩個月，抬頭仰望遼闊天空與海，無時無刻開展出無限變化的生命氣息，這完全是長期高樓建築遮蔽的台北看不太到的視覺經驗，藝術家於大地召喚受到啟發，從一直以來塑造自然表層形象轉向更關注自然與物內在的真實，凝聚在地色彩質感，蒐集台東在地民情風景，強調過程的活性，拓延繪畫與雕塑領域範疇的可能性。及藝術展覽時間和空間中不斷變化、甚至消逝的過程，將看似無形的空氣溫度作為材料將它可視化，將自己投身在宇宙的精神洪流之中與之共生共息。

Over time, things change. What is eternal in the torrent of history? Nothing will disappear completely, but will be transformed into another type to cycle. The only constant is changing. Sun, moon and stars have been showing us their boundless and unpredictable interior in a natural way.
The artist has always focused on the interrelationship between the narrativity of the shapes and qualitative changes of materials, and the inspiration of her works was inspired by the reference and imagination of organic plants and biotypes in nature. In the late summer and early autumn, the artist stayed at TTICC next to the waterfront in Taitung, where she could look up to the boundless sky and the sea and enjoy the life with infinitely changing atmosphere. This was completely a different visual experience that she cannot see in Taipei, which was hidden in high-rise buildings. The artist was inspired by the call of the earth, and her works changed from the image of the surface of nature to the intrinsic reality of nature and things. The artist held the local colors, collected the local customs in Taitung, emphasized the flexibility of the process of creation, and expanded the possibilities of painting and sculpture. The time and space of the art exhibition is a process of change or even disappearance. The artist took the invisible air and temperature as a material and visualized it. She devoted herself to the spiritual history of the universe, coexisting and learning with it.