Matthew

Tsang Man Fu

(曾敏富)

香港

       曾敏富，香港視覺藝術家，分別於2009年及2016年獲頒澳洲墨爾本皇家理工大學藝術學士和碩士學位。曾氏從作品中探索時間、轉變、過程和物質之間的關係，主要運用不同的天然物料，例如紙、木、冰、炭，利用火燒、融化和凍結等過程來創作，並以裝置、錄像、攝影和雕塑等方式來呈現。於2012年開始成為香港藝術學院兼任導師。曾氏作品在多個香港和海外展覧展出及獲私人收藏，於2018年獲邀參加《藝遊維港》雕塑展，同年榮獲南島美術獎-首獎。
        Matthew Tsang Man Fu is a Hong Kong visual artist. He completed his BFA in 2009 and MFA in 2016, both with RMIT, Australia. His works investigate the relationship between time, change, process and materiality. He works mainly with a variety of natural materials including wood, ice and charcoal and utilises processes including burning, melting and freezing. His artworks are presented in installation, video, photographs and sculptural objects. Since 2012 he has been a part time lecturer at Hong Kong Art School. Tsang's work exhibited in Hong Kong and overseas and collected by private collectors. In 2018 he was awarded Austronesian International Arts Award-Grand Prize and invited to participate in Harbour Art Sculpture Park.

香港酷SEP 13, 2018 - SEP 16, 2018
《 聽話?! 》， 1A 空間 ，香港 牛棚藝術村。
《 Social Transformations》, 包氏畫廊，香港藝術中心。
Hong Kong Convention and Exhibition Centre 《雕塑當代2018》, 典亞藝博2018 ,香港會議展覽中心。
《 藝遊維港 》 , 愛丁堡廣場, 中西區海濱長廊, 香港藝術中心, 香港演藝學院, 西公園。
《歸一》2017 藝術展覽, 饒宗頤文化館G座上層 。
《 駿業街遊樂場公共藝術計劃—入圍提案展覽 》 , 反轉天橋底 1號場。
《天工•人工》，香港大會堂高座展覧館。
《靜聽深度》, 包氏畫廊，香港藝術中心 。
《天上人間 – 香港雕朔雙年展》，香港藝術學院。
《物盡源起 – 曾敏富作品展》， 1A 空間 ，香港 牛棚藝術村 。
《 Passageway 》香港藝術學院藝廊展覽，香港藝術中心 。
《模塑– 曾敏富個人展》， 正/側畫廊 ，香港 賽馬會創意藝術中心。
《自由野2013》，香港 西九龍海濱長廊 。

共生•迴響 Symbiosis•Resonance
兩位創作人從動盪的香港，再次來到台東，再見到美麗的風景和人面。多住了一些日子，到訪了不同的部落與原住民一起渡過豐年祭，經歷過地震及颱風，對這地方有了深一層的理解。
作品由香港人所處的當下作為起點，仰望台灣的山巒海岸，讓觀眾在八部合音下，感受這片土地各民族是如何與自然共存。一線的磚塊被海浪磨蝕，記載著人類文明和自然的角力，磨去了凌角似是無力又或許是共融的機遇。人如沙聚，面對嚴苛的環境一路走來可不容易，作品中的沙粒圖騰展示的文化，在現代步伐之下，要保存並不容易。
We, two artists from Hong Kong, have come to Taitung again. In the midst of the turbulence at our home city, we reconnect with the county’s beautiful scenery and people. Through meeting many tribes and indigenous people during our stay, celebrating the harvest festival and going through an earthquake and a typhoon with them, we have deepened our understanding of this land and its people.

Cordelia Tam ( 譚若蘭)

加拿大籍 (現居香港)

        譚若蘭，出生於香港，曾在加拿大升學和工作。於2017完成香港藝術學院藝術專業文憑，現正修讀皇家墨爾本理工大學純藝術碩士學位。譚氏深受中國道家哲學影響，她從作品中探索人與自然的聯繫，並以日常生活物料為起點，加入順應自然的元素，從而啓發對和諧生活的追求。作品以裝置、錄像和攝影等方式來呈現。近年獲邀參加多個本地展覽，並於2018年駐留台灣創作，更以一件共同創作的裝置藝術作品，榮獲2018年度南島美術獎-首獎。
        Cordelia Tam was born in Hong Kong and has studied and worked in Canada. She received a Professional Diploma in Fine Art program of Hong Kong Art School in 2017 and is currently a Master of Fine Art candidate with Royal Melbourne Institute of Technology University. Influenced by Chinese philosophy of Taoism, Cordelia explores the linkage between human and nature in her works, using everyday material combined with themes of conformity to inspire towards harmony in urban life. Her works are multidisciplinary and include video, installation, photography and other media. In recent years Cordelia’s works have been exhibited in local group exhibitions, and during her residency in Taiwan in 2018 she co-created an art installation work which was awarded the 2018 Austronesian International Arts Award-Grand Prize.

2018 Austronesian International Arts Award, Taitung Art Museum
2018 Re-Structure, The Gallery Hong Kong Art School, Hong Kong
2018Breath In Breath Out, KC 100 Art Space, Hong Kong
2018Five, Cultural Center Exhibition Gallery, Hong Kong
2017 Once In A Blue Moon, Jockey Club Creative Arts Center, Hong Kong
2017Dialogue, Visual Art Center, Hong Kong

2017 Administrator, Man-Made by Nature, Exhibition Gallery, High Block City Hall,Hong Kong
2016 Co-curator, Where the end is the beginning – Matthew Tsang Man Fu Solo exhibition, 1a Space, Hong Kong
2014 Exhibition helper, Unseen Existence, Hong Kong Arts Center Flagship Exhibition, Pau Galleries, Hong Kong
2013 Exhibition helper, Distilling Senses, Hong Kong Arts Center Flagship Exhibition, Pau Galleries, Hong Kong

共生•迴響 Symbiosis•Resonance
        兩位創作人從動盪的香港，再次來到台東，再見到美麗的風景和人面。多住了一些日子，到訪了不同的部落與原住民一起渡過豐年祭，經歷過地震及颱風，對這地方有了深一層的理解。
        作品由香港人所處的當下作為起點，仰望台灣的山巒海岸，讓觀眾在八部合音下，感受這片土地各民族是如何與自然共存。一線的磚塊被海浪磨蝕，記載著人類文明和自然的角力，磨去了凌角似是無力又或許是共融的機遇。人如沙聚，面對嚴苛的環境一路走來可不容易，作品中的沙粒圖騰展示的文化，在現代步伐之下，要保存並不容易。
        We, two artists from Hong Kong, have come to Taitung again. In the midst of the turbulence at our home city, we reconnect with the county’s beautiful scenery and people. Through meeting many tribes and indigenous people during our stay, celebrating the harvest festival and going through an earthquake and a typhoon with them, we have deepened our understanding of this land and its people.